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Spectral Madrigals

by Saint Paul at the End of the World

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Die Singing 12:21

about

Sine waves, arithmetic, and Renaissance sheet music were used to create these tracks. The frequencies of the individual notes were chosen using just intonation principles and spectral analysis to maximize the occurrence of phantom and combination tones—psychoacoustic phenomena where the listener hears notes that aren’t really there.

credits

released January 26, 2024

Tracks 1-3 are an interpretation of Carlo Gesualdo, “Moro, Lasso, al Mio Duolo.” Track 4 is based on a passage from Claudio Monteverdi, “Cruda Amarilli.” Track 5 is an extrapolation of Jacques Arcadelt, “Il Bianco e Dolce Cigno.”

The cover art features a detail of Matthias Grünewald, “Visit of Saint Anthony to Saint Paul,” from the Isenheim Altarpiece.

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Saint Paul at the End of the World Cleveland, Ohio

Ruining other people’s music since 2012. Ruining my own since forever.

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